Shoes
I walk briskly down the hospital hallway as my feelings dance between privilege and torture. My quick steps are not because I need to be somewhere but because I need to hear the soothing cadence of my steps. I push my foot firm on the floor so I can bounce at little, shoes springing off the tile floor covered in a film of residue from whatever cleaner was used to sterilize it. I look down as if apologizing for taking up space where there is so much suffering, and mark my steps with each large faded blue tile I step on— like it is a board game I'm playing with my body. My cushioned shoes sound like sticky tack being peeled off a wall. I still have a long stretch of hallway to transition from the room with the man who thought he would stop breathing— who begged me to pray with him. The memory of grabbing his hand and meeting his anxious eyes with my own was still with me. I breathe out and say, "Oh Lord have mercy," and in less than a minute I'm at another door. I knock and my shoes cross the threshold.




This is beautiful because the shoes carry more than movement. They hold the strange weight of pastoral presence: leaving one room still carrying the fear in someone’s eyes, then crossing another threshold before the soul has fully caught up.
The line about apologizing for taking up space where there is so much suffering feels especially true. Ministry often happens in that tension between holy privilege and human helplessness.
What I appreciate most is that the prayer is not ornamental. “Lord have mercy” becomes breath, transition, and consent to keep showing up.